No Occupation for a Lady Page 2

  Still, in the end, it all came down to the quality of the play, and, knowing it was too late to do anything about that now, Victoria closed her eyes and whispered a silent prayer to St Genesius. It might just be superstition on her part, but she never ventured into a theatre without asking the patron saint of actors for his blessing.

  Then, with both her brother’s and Tommy Belkins’s good wishes ringing in her ears, Victoria Bretton—alias Valentine Lawe—walked into the theatre and prepared to face whatever the Fates held in store for her.

  * * *

  The Honourable Alistair Devlin did not make a habit of going to the theatre. It was all right if no other more amusing pastime could be found, but given the choice between watching amateurish productions staged by men and women who suffered from the misguided notion that they could act, or spending the evening in the comfortably masculine ambiance of his club, he would always choose the latter. The only reason he had come tonight was to appease his good friend, Lord Collins, whose repeated requests that he come and see the nubile young actress he was intent on making his newest mistress had finally worn Alistair down.

  ‘And I dare you to say she is not exquisite,’ Collins said as they settled into their gilt-edged seats at the front of the box.

  ‘I’m sure she will be all you have promised and more,’ Alistair said, gazing with interest at his surroundings. ‘You have always been an arbiter of female loveliness.’ It was the first time Alistair had ventured inside the Gryphon, but not the first time he had heard about the celebrated theatre. Rumour had it that upwards of eighty thousand pounds had been lavished on the building’s restoration and that a special company had been assembled to grace its stage.

  According to Collins—who had already enjoyed an intimate liaison with another young actress from the company—it was not enough that an actor be able to recite his lines without stumbling. He must also be able to portray that character’s feelings in such a way that the audience was moved to laughter or tears, without resorting to the facial contortions and physical gestures so often employed by under-talented performers.

  Frankly, Alistair was sceptical. While he knew that some actors were talented enough to pull off such masterful performances, experience had shown him that most tended to fall back on the melodramatic posturings that left him entirely unmoved and prompted audiences to hurl both insults and orange peelings at the stage.

  ‘By the by, did I mention that Signy has a friend?’ Collins asked. ‘Another actress in the company. You might do well to look her up, given that you’re in the market for that sort of thing.’

  ‘Thank you, Bertie, but I have absolutely no intention of looking for a new mistress,’ Alistair replied, gazing at the magnificent frescoes overhead. ‘The one with whom I just parted gave a new meaning to the word vindictive.’

  Collins had the cheek to laugh. ‘Yes, I did hear something about the glorious Celeste managing to knock over two rather expensive vases on her way out of your house.’

  ‘Expensive? She wilfully destroyed a priceless Tang horse and a Sèvres vase that have been in my family for generations,’ Alistair murmured. ‘Grandmother Wilson still hasn’t forgiven me for that lapse in judgement.’

  Unfortunately, it wasn’t only Celeste Fontaine’s wanton destruction of family heirlooms that had prompted Alistair to end his relationship with her. It was the fact she had lied to him. She had told him to his face that he was the only man with whom she was keeping company, when in fact she had been spending as much time in Lord Lansing’s bed as she had in his.

  When Alistair had brought this trifling detail to her attention, Celeste had treated him to a performance that would have done the great Sarah Siddons proud. She had stormed out of the house, somehow managing to consign the two pieces of porcelain to their doom on the way, and the next day, had sent him a scathing letter in which she had told him exactly what she thought of his behaviour, adding that while he was an adequate lover, she believed his skills in bed to be highly overrated.

  It was the contents of the letter that had hammered the last nail into her coffin. While not an arrogant man, Alistair took pride in his ability to please the opposite sex. As a callow youth, he had discovered that the sexual experience was heightened if both parties were able to enjoy it, and he had striven to learn the secrets of giving pleasure as well as taking it. So to have his skills in bed mocked by a woman who had never once left him in any doubt as to how much she enjoyed them seemed to him the height of hypocrisy.

  Still, he’d managed to have the last word. Only last week, the celebrated courtesan had appeared at his door, saying with every appearance of contrition that she was genuinely sorry for the way she had behaved and that it was only in a moment of weakness she had succumbed to Lord Lansing’s advances. At that point, she had batted

  her eyelashes and, with tears falling from her famous pansy-blue eyes, had begged him to take her back.

  Alistair had not been moved. Giving her a handkerchief to dry her eyes, he had advised her to take herself back to Lord Lansing or whichever gentleman was keeping her and not to trouble him again. The one thing he would not tolerate from those closest to him was deceit. A woman who lied to him once would have no compunction about lying to him again and he had no reason to believe Celeste would not end up back in the arms of the man with whom she had already betrayed him.

  Women like that always landed on their feet. Or on their backs, as the case might be.

  It was then, as Alistair turned to ask Collins about the evening’s performance, that his attention was caught by a movement in one of the boxes opposite. A young woman had stepped through the curtain and into view, emerging like a radiant butterfly into the sunlight. She was garbed in cream-coloured silk that shimmered with every movement and long, smooth-fitting gloves that covered slender arms from fingers to elbow. Her hair, a soft mist of golden curls, was arranged attractively around her head and, in the flickering light, Alistair saw flashes of crimson at her throat. She paused for a moment to watch the antics of the dandies and young bloods in the pit below, then turned to bestow a smile on the older woman and younger gentleman already seated in the box.

  It was the smile that stopped him. As innocent as a child’s, it tugged at something deep within Alistair’s subconscious, reminding him of a time when life was simpler and pleasures more easily found. She looked as though there was nowhere she would rather be and nothing she would rather be doing than sitting in her box watching the performance taking place below.

  Was that what drew him to her so strongly? he wondered. The pleasure she took in an activity he and the rest of society took so entirely for granted? Or was it the fact that she was, even to his experienced eye, an incredibly beautiful woman? Draped in silk and chiffon, she had the face of an angel, but a lush, sensual figure that made him think of hot nights between soft sheets and the sweet rush of intimacy as scented limbs wrapped around him and drew him close.

  Unfortunately, given that the first thing the lady did was reach for the hand of the gentleman who rose to greet her, Alistair doubted it would be his body she ever wrapped them around. The two soon had their heads close together in conversation, and while it was clear the gentleman was no match for her in appearance or style, there was no denying the strength of the connection between them.

  Lucky devil, whoever he was.

  Then a ripple of anticipation as a tall and distinguished-

  looking gentleman walked out on to centre stage. He was dressed all
in black, his long cape over breeches and boots giving him a decidedly swashbuckling appearance. Not a young man—his dark hair and beard were liberally threaded with silver and his lined face reflected the experiences of a lifetime. But he had a presence that could not be denied and when he held up one gloved hand, silence descended.

  ‘Ladies and gentlemen, welcome to the Gryphon. My name is Theodore Templeton and tonight we present for your enjoyment two productions making their début on the London stage. Mi Scuzi, an operetta in Italian by Giuseppe Fratolini, and A Lady’s Choice, a new work by the renowned playwright Valentine Lawe. The inimitable Signy Chermonde will play the role of Elizabeth Turcott opposite Mr Victor Trumphani in the part of Elliot Black. And now I invite you to sit back and prepare to be entertained.’

  A polite round of applause greeted his words, as well as the expected whistles and jeers from the dandies in the pit. No sooner had he left the stage than the orchestra began to play and the curtain swept majestically upwards to reveal a setting reminiscent of a Mayfair drawing room, with a single actress, an elderly woman, seated in a wingback chair.

  Alistair, who knew all too well that the build up to such productions was often the highlight of the performance, settled back and prepared to be bored.

  He was not bored. He was mesmerized, the opening scenes of the play capturing his attention in a way no other stage performance ever had. The plot was intriguing, the dialogue witty and the cast gave such outstanding performances that, as the evening wore on, Alistair found himself growing more and more surprised.

  This was not the type of performance he had come expecting to see. Knowing the play to be new and the company young, he had expected the production to reflect those shortcomings. But try as he might, he could find nothing to fault in either the play or in the actors’ portrayals of their characters. Even the rowdies in the pit were silenced.

  If this was an example of Valentine Lawe’s talent, Alistair could well understand why the man was so popular. He was actually disappointed when the actors left the stage at the end of the first act.

  ‘Well, what did you think?’ Collins asked over the sound of enthusiastic applause.

  ‘That it was far, far better than I expected,’ Alistair said generously.

  ‘Not the play! Signy! Is she not the most glorious creature you’ve ever seen?’

  Alistair frowned. ‘Signy?’

  ‘The actress playing Elizabeth. Jupiter, don’t tell me you didn’t notice her?’

  Alistair glanced down at the stage. Of course he’d noticed her, but as Elizabeth Turcott rather than Signy Chermonde. She was the glorious, titian-haired temptress who had made her first appearance on stage in the guise of an elderly woman sadly recounting the events of her long life, only to reappear in the next scene as a blushing bride on what was clearly the eve of her wedding. ‘Yes, she was beautiful,’ he agreed, ‘but I was more impressed by her talent than I was by her appearance.’

  ‘Then I can only hope she is as gifted in bed as she was on stage,’ Collins drawled. ‘Speaking of that, what did you think of Miss Lambert? And don’t tell me you didn’t notice her. Old Parker nearly fell out of his box the first time she walked on stage wearing that filmy white nightgown.’

  Alistair laughed. ‘Yes, I noticed her. She was very convincing in the part of Miss Tremayne.’

  ‘Miss Tremayne?’ Collins said. ‘What’s got into you tonight, Dev? The last time we went to the theatre, you couldn’t even remember the title of the play, let alone the names of the characters.’

  ‘That’s because the play wasn’t worth remembering and the actors were similarly forgettable,’ Alistair remarked. ‘This, however, is a first-class production.’

  ‘Well, of course it is. Valentine Lawe is fast becoming one of England’s foremost playwrights. Even a Philistine like you must have known that.’

  The fact Alistair did not know failed to arouse any feelings of remorse or guilt within his breast. None of his family were ardent theatre goers. His parents refused to go as a result of the tragic events surrounding their eldest son’s scandalous marriage to an actress, and his sister and brother-in-law, the Venerable Simon Baltham, Archdeacon of Swithing, were of the belief that the theatre was a breeding ground for sin. It was their studied opinion that those who disported themselves upon the stage were vain and immoral creatures who sought aggrandisement through their occupations and were possessed of neither high moral fibre nor any discernible degree of integrity.

  Ironically, it didn’t stop them from attending the occasional operatic work, but seldom were they heard to praise a performance or to compliment any of the singers.

  For his own part, Alistair didn’t care. The only reason he had limited his exposure to the theatre was out of respect for his parents’ sentiments and in an effort to maintain family harmony. A decision he hadn’t come to regret...until tonight.

  He let his gaze fall again on the occupants of the box opposite. The young lady was watching the antics of two young men rearranging props on stage, and looked, if possible, even more radiant than she had before the commencement of the first act. Her hand was again clasped in that of the gentleman sitting beside her, and when he leaned over to whisper something in her ear, she laughed and looked up—and, unexpectedly, locked eyes with Alistair across the theatre.

  It was a fleeting glance, no more than a few seconds in length, but for the brief space of that time, the noises around him seemed to subside and it was as though only the two of them sat in that crowded theatre. He watched her laughter fade until only the shadow of a smile remained, and though she didn’t acknowledge his gaze, the soft colour blooming in her cheeks told him she was just as aware of him as he was of her.

  As her glance slid away, Alistair leaned over to his friend and said, ‘Collins, that woman in the box opposite...’

  ‘Lady Lucy Prendergast?’

  ‘No, the box above. Wearing the cream-coloured gown.’

  Collins raised his opera glasses and trained them on the lady in question. ‘Ah, yes, Miss Victoria Bretton. Eldest daughter of Mr and Mrs John Bretton.’

  ‘How is it I haven’t seen her before?’

  ‘Because you don’t move in the same circles, old boy,’ Collins said, lowering the glasses. ‘The family reside in Kent, but for the last two Seasons, have taken a house in Green Street for the purpose of introducing their daughters to society. Miss Victoria Bretton made her bows last year, and her younger sister, Miss Winifred Bretton, is doing so this Season.’

  ‘Who’s the man with her?’ Alistair asked ‘Dedicated husband? Devoted fiancé?’

  ‘Good God, no, that’s Laurence, her brother. Dry as a stick and completely lacking in fashion sense, but frightfully intelligent from what little I’ve heard. Apparently he speaks four languages and knows more about the classics than did most of his professors at Oxford. He and Victoria are said to be very close.’

  ‘I’m surprised she isn’t married,’ Alistair commented. ‘She is an exceptionally lovely young woman.’

  ‘True, but she also has a penchant for speaking her mind and you can imagine how well that sits with the society matrons who believe young ladies should be seen and not heard. Also, do you see the rather flamboyant-looking woman seated in the box with her?’

  Observing the lady’s flame-coloured gown, her striking blue-black hair and the circle of diamonds flashing at her throat, Alistair said, ‘It would be difficult not to.’

  ‘Exact
ly. That is Mrs Anthea Templeton,’ Collins said. ‘Once a celebrated actress, now the second wife of Mr Theodore Templeton, owner of the theatre, and a man who just happens to be Miss Bretton’s uncle.’

  ‘Ah. So her family connections are not the best.’

  ‘That’s putting it mildly. Templeton left his first wife for the lovely Anthea—who was rumoured to be playing Juliet to his Romeo at the time—and the two set up housekeeping without the benefit of marriage. They continued to live and act in that blissfully unwed state for several more years before coming to London and setting up shop here. Needless to say, Mrs Templeton has not been embraced by society.’

  ‘Hardly surprising,’ Alistair said. ‘She is no doubt accused of stealing Templeton from his wife and blamed for the demise of his marriage.’

  ‘Of course, and the fact that Miss Bretton seems to enjoy her aunt’s company naturally reflects badly on her. As does the fact that she has an unfortunate fondness for mingling with the cast.’

  Alistair raised an eyebrow. ‘She fraternises with the actors?’

  ‘Oh, yes. Usually in the company of her brother, but she has been known to venture backstage alone,’ Collins said. ‘And while that is perfectly all right for him, it is not the thing for her.’

  No, it wasn’t, Alistair reflected as he watched the actors return to the stage for the start of the second act. It was all right for a young lady to go to the theatre and even to express enthusiasm for the performance she had seen, but it was not the thing to be spotted in the company of actors. While Alistair didn’t agree with his brother-in-law’s sweeping condemnation of all stage performers, he knew that many were possessed of questionable morals and that spending time with such people was frowned upon by those in good society. He was surprised Miss Bretton’s parents would allow her to jeopardise her reputation by frequenting such a place, even if she did so in the company of her brother.